February 11 - 28, 2021
When I close my eyes,
I see the sun
Founder and Director
Sim Smith GalleryLondon
Young Space is pleased to present Let’s Go Out in the Sunshine, guest curated by London-based art dealer and gallerist Sim Smith. This exhibition presents the work of 14 artists whose work draws on themes and experiences of everyday life, and the way we have reconsidered what “everyday” means in light of the events and social shifts of the past year. Regardless of geography, our lifes have been impacted. In some ways we can better appreciate our need for human contact, ideas of home, spirtuality, our work lives, and our connections to friends and family, but it has also shone a stark light across the human impact on the planet, our sense of security, the fragility of the body, preposterous iniquities, and glaring inequalities. Yet we continue to see the bright spots, the promise of better tomorrows, through the lens of something so utterly human: humor. The works in this show encompass a tentative humor, a sort of visual smirk, a cautiously optimistic--and reassuring--testament to the human spirit, our connections, and treasuring what matters most.
Request a PDF of the entire show here ︎
Optimal viewing experience on desktop. Click and hold any image on the page to move and arrange among the other works.
At first, it was chaotic. For months, every email correspondence began with, “In these trying times…” as if we didn’t already acutely feel a swell of anxiety about what unfolded around us, despite poring through the news on our screens every hour, only to be reminded that no one really knew what was going on. This year has presented myriad challenges to our health and safety, our relationships, how we comprehend current events, not to mention our everyday conveniences and comfort. The work presented in Life in a Pressure Cooker reflects the artists’ daily investigations of identity, relationships and expression within a new reality. Continue reading ⤳
It seems natural that artists would respond vigorously, creatively, and pragmatically in a crisis.
― Kate Mothes
I had moved from New York to California only two weeks before the Covid-19 quarantine period began in the United States. The only thing that I have done during the pandemic period out of my home is to take a walk around the neighborhood for the last 6 months.
About the curators
Adam D. Miller was born in Bellevue, WA, in 1982, and currently lives in Los Angeles, CA. He received a Master of Fine Arts degree from Art Center College of Design in 2008 and a Bachelor of Arts from the University of California, Sacramento in 2005. Miller’s work has been the subject of one and two-person exhibitions at Kantor Gallery, Los Angeles (2020), the Newsstand Project, Los Angeles (2020), Odd Ark, Los Angeles (2019), and Southfield w/ Nora Shields, Detroit, MI (2018), among others. Miller is a co-founder and the current director of The Pit, a contemporary fine art gallery in Los Angeles. Miller has also curated independent projects at galleries and institutions such as Verge Center for the Arts, Sacramento, Guerrero Gallery San Francisco, Luckman Fine Arts Complex, Los Angeles, the Torrance Art Museum, Torrance, Center for the Arts Eagle Rock, Los Angeles, 533 Gallery, Los Angeles, Actual Size, Los Angeles, East Side International, Los Angeles and others.
Kate Mothes is Founder of Young Space and Co-Founder/Editor of Dovetail Magazine. She received a Masters in Art History, Theory and Display from Edinburgh College of Art at the University of Edinburgh, and her Bachelors in Art History from the University of Wisconsin-Madison. In addition to Young Space online exhibitions, selected recent exhibitions include Yulia Iosilzon: Paradeisos at Carvalho Park, Brooklyn, NY; MIRROR EYE in collaboration with Far x Wide at Ortega y Gassett Projects, Brooklyn, NY; and Run Straight Through at Torrance Art Museum, Torrance, CA. Upcoming projects include group exhibitions at BEERS London and Tiger Strikes Asteroid, and the release of Dovetail Magazine’s winter issue in December 2020. Read more here⤳